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Lecture Comments (4)

0 answers

Post by Li Zeng on June 9, 2019

Isn't it 4 half steps to a major third? I don't count the first note as a half step. there are only 4 steps in between the 5 notes.

0 answers

Post by Meysam Pirbaglou on December 20, 2013

Hi - What does diatonic mean in the context of scales or as in diatonic half step vs chromatic half step? Thank you

1 answer

Last reply by: Professor Ryan
Fri Aug 31, 2012 5:12 PM

Post by Linh La on August 4, 2012

When you count half steps, do you include the first note too? In example 6, when you counted the half steps of M3 you didn't count the first note but with all the others, you did count the first note. I've also learned in other classes that you don't include the first note because you count the steps rather than the note itself.

Major, Minor, Perfect & Numbered Intervals

  • In a one octave major scale, a major interval is either a 2nd, 3rd, 6th or 7th.  A perfect interval is a 4th, 5th or octave.
  • From the tonic note of a major scale, intervals may be numbered a 2nd, 3rd, 4th, 5th, 6th, 7th.

Major, Minor, Perfect & Numbered Intervals

Lecture Slides are screen-captured images of important points in the lecture. Students can download and print out these lecture slide images to do practice problems as well as take notes while watching the lecture.

  1. Intro
    • Lesson Objectives
      • Numbering Notes of C Major Scale on Keyboard
      • Illustration of Major and Minor Intervals of C Major Scale
      • Illustration of Perfect Intervals in C Major Scale
      • Numbering Intervals of C Major Scale on the Grand Staff
        • Identifying Major and Minor Intervals of C Major Scale on Grand Staff
        • Identifying Perfect Intervals of C Major Scale on Grand Staff
        • Example 1: Finding Major Intervals in C Major Scale
          • Example 2: Finding Minor Intervals in C Major Scale
            • Example 3: Finding Perfect Intervals in the C Major Scale
              • Example 4: Writing Major Intervals of C Major Scale
                • Example 5: Writing Minor and Perfect Intervals of C Major Scale
                  • Example 6: Writing Major, Minor and Perfect Intervals Independent of the C Major Scale
                  • Example 7: Numbering Intervals
                    • Intro 0:00
                    • Lesson Objectives 0:10
                    • Numbering Notes of C Major Scale on Keyboard 0:22
                      • Scale Degrees of C Major Scale
                    • Illustration of Major and Minor Intervals of C Major Scale 1:46
                      • Major 2nd (M2)
                      • Major 3rd (M3)
                      • M is the Abbreviation for 'Major'
                      • Perfect 4th (P4)
                      • P is the Abbreviation for 'Perfect'
                      • Perfect 5th (P5)
                      • Major 6th (M6)
                      • Major 7th (M7)
                      • Perfect 8th or Perfect Octave (P8)
                      • Listening to the Major Intervals on the Keyboard
                      • Minor Intervals of the C Major Scale
                      • Half Steps are Minor Intervals
                      • Hearing the Difference Between Major and Minor Intervals
                    • Illustration of Perfect Intervals in C Major Scale 8:56
                      • Listening to the Perfect Intervals of C Major
                      • Counting Half Steps of P4
                      • Counting Half Steps of P5
                      • Counting Half Steps of P8
                    • Numbering Intervals of C Major Scale on the Grand Staff 11:01
                    • Identifying Major and Minor Intervals of C Major Scale on Grand Staff 12:04
                      • Finding Major and Minor Intervals on the Grand Staff
                      • Every Whole Step is M2, Every Half Step is m2
                    • Identifying Perfect Intervals of C Major Scale on Grand Staff 14:13
                      • Drawing and Playing Intervals as Chords
                    • Example 1: Finding Major Intervals in C Major Scale 16:32
                    • Example 2: Finding Minor Intervals in C Major Scale 17:07
                    • Example 3: Finding Perfect Intervals in the C Major Scale 17:38
                    • Example 4: Writing Major Intervals of C Major Scale 18:45
                    • Example 5: Writing Minor and Perfect Intervals of C Major Scale 20:07
                    • Example 6: Writing Major, Minor and Perfect Intervals Independent of the C Major Scale 21:26
                      • Counting Half Steps of M3
                      • Counting Half Steps of P4
                      • Counting Half Steps of P5
                      • Counting Half Steps of M6
                      • Counting Half Steps of M7
                    • Example 7: Numbering Intervals 26:49

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                    Laura Ryan

                    Laura Ryan

                    Major, Minor, Perfect & Numbered Intervals

                    Slide Duration:

                    Table of Contents

                    Section 1: Music Theory
                    Music Theory

                    32m 43s

                    Intro
                    0:00
                    Lesson Objectives
                    0:04
                    Grand Staff
                    0:16
                    Difference Between Single Staff and Grand Staff
                    0:25
                    A Brace
                    0:53
                    Drawing a Treble Clef
                    1:05
                    Remembering the Lines of a Treble Clef
                    1:45
                    Remembering the Spaces of a Treble Clef
                    2:06
                    Remembering the Lines of a Bass Clef
                    2:41
                    Remembering the Spaces of a Bass Clef
                    2:46
                    Drawing a Bass Clef
                    2:59
                    Major Scales
                    3:54
                    Using a Pattern of Intervals to Find a Major Scale in Any Key
                    3:59
                    Playing a C Scale
                    4:56
                    Playing a Series of Whole and Half Steps
                    5:14
                    Counting Intervals on the Keyboard
                    6:05
                    Writing a Major Scale
                    6:37
                    Writing Below the Staff
                    6:50
                    Minor Scales
                    8:09
                    Counting Whole and Half Steps of a Minor Scale
                    8:58
                    Listening to A Minor
                    9:08
                    Finding the Interval Pattern of a Minor Scale
                    9:55
                    Writing a Scale in Both Treble and Bass Clefs
                    10:59
                    Listening to A Minor
                    11:10
                    Names of White Keys
                    11:25
                    Matching Keyboard Notes to Notes on the Staff
                    12:07
                    Finding Middle C on the Keyboard
                    12:20
                    Finding Middle C on the Grand Staff
                    12:43
                    Stem Directions
                    12:53
                    Names of Black Keys
                    13:28
                    Black Keys Can Have Two Different Names
                    13:38
                    Sharp = Raise Half Step
                    13:53
                    Flat = Lower Half Step
                    14:06
                    White Key Half Step Example: E and F
                    15:08
                    Finding Black Keys on the Staff
                    15:53
                    Writing Sharps and Flats on the Staff
                    16:02
                    Writing Sharps and Flats After Letters
                    17:27
                    How to Play Chords
                    17:44
                    Playing a C Major Chord
                    18:02
                    Playing Every Other Key to Form a Chord
                    18:52
                    Writing Chords on the Staff
                    19:00
                    Chord Progressions
                    19:24
                    Chord Progressions are a Series of Chords
                    19:28
                    Writing Chord Progressions on the Staff
                    10:03
                    Playing Chord Progressions on the Keyboard
                    21:40
                    Example 1: Grand Staff
                    22:07
                    Example 2: Major Scale on Keyboard
                    22:52
                    Example 3: Minor Scale on Keyboard
                    23:49
                    Example 4: Naming White and Black Keys
                    25:14
                    Example 5: Chords
                    27:33
                    Example 6: Exploring Chord Progressions
                    28:47
                    Section 2: Properties of the Grand Staff
                    Staff, Treble Clef & Bass Clef

                    9m 30s

                    Intro
                    0:00
                    Lesson Objectives
                    0:07
                    The Staff, Five Lines
                    0:18
                    The Staff Always Has Five Lines
                    0:32
                    Ledger Lines
                    0:45
                    Why The Staff Only Has Five Lines
                    1:00
                    The Staff, Four Spaces
                    1:22
                    Writing Space Notes Between Ledger Lines
                    1:32
                    Treble Clef
                    1:41
                    The Clef Tells You Which Note is Where
                    1:47
                    Writing a Treble Clef
                    2:00
                    Using Phrases to Remember the Order of the Lines
                    2:38
                    Bass Clef
                    2:58
                    Writing a Bass Clef
                    3:10
                    Using Phrases to Remember the Order of the Lines
                    3:54
                    The Grand Staff
                    4:57
                    The Grand Staff is the Treble Clef and Bass Clef Connected by a Brace
                    5:00
                    What the Brace Means
                    5:32
                    Chords
                    7:00
                    Example 1: Treble Clef
                    7:17
                    Example 2: Bass Clef
                    8:16
                    Example 3: Grand Staff
                    8:46
                    Bar Lines & Measures

                    18m 5s

                    Intro
                    0:00
                    Lesson Objectives
                    0:06
                    Bar Lines
                    0:22
                    Where the Bar Line Begins and Ends
                    0:35
                    Measures are Used to Think of Music in Smaller Pieces
                    1:00
                    Bar Lines Divide A Set Amount of Beats For Each Measure
                    2:03
                    Measures
                    2:24
                    4/4 Time Signature
                    2:43
                    Only 4 Beats in Every Measure When There is a 4/4 Time Signature
                    2:39
                    In a Measure, Notes are Spaced Away from the Measure
                    4:12
                    Listening to the Example
                    4:45
                    Double Bar Lines
                    5:59
                    Representing the End and Beginning of Examples
                    6:20
                    Listening to the Example
                    7:07
                    Repeat Signs
                    9:03
                    First and Second Endings
                    10:34
                    Listening to the Example
                    12:55
                    Example 1: Creating Bar Lines
                    14:04
                    Example 2: Creating Double Bar Lines
                    14:17
                    Example 3: Creating Bar Lines, Double Bar Lines and Repeat Sign
                    14:39
                    Example 4: Creating First and Second Endings
                    15:24
                    Section 3: Notes and Rhythms
                    Rhythmic Notation

                    18m 44s

                    Intro
                    0:00
                    Lesson Objectives
                    0:06
                    Whole Notes
                    0:18
                    Writing Whole Notes
                    0:24
                    Whole Notes are 4 Beats
                    0:30
                    Listening to a Whole Note
                    0:56
                    Octave
                    1:26
                    Writing and Identifying Example Whole Notes
                    1:48
                    Half Notes
                    4:17
                    Half Notes are Connected to a Staff
                    4:21
                    Half Notes are 2 Beats
                    4:24
                    Writing Half Notes
                    4:38
                    Rules for Stem Directions
                    5:10
                    Quarter Notes
                    7:06
                    Quarter Notes are 1 Beat
                    1:14
                    Writing Quarter Notes on the Staff
                    7:54
                    Stem Direction
                    9:16
                    It's Okay to Have a Down Stem and Up Stem in the Same Measure
                    10:09
                    Example 1: Whole Notes
                    10:56
                    Example 2: Half Notes
                    11:26
                    Example 3: Quarter Notes
                    11:51
                    Example 4: Quarter Notes
                    12:59
                    Example 5: Stem Direction
                    13:01
                    Example 6: Rhythmic Combinations
                    14:25
                    Time Signature

                    18m 49s

                    Intro
                    0:00
                    Lesson Objectives
                    0:06
                    4/4
                    0:21
                    What the Top and Bottom Numbers Represent
                    0:46
                    4 = Quarter Note
                    1:15
                    Review of Whole, Half, and Quarter Notes
                    1:36
                    Fill in 4 Counts for Every Measure
                    1:54
                    Listening to the Example
                    3:27
                    4/4 Continued
                    5:23
                    Listening to the Example
                    6:14
                    Middle C
                    6:22
                    2/4
                    7:52
                    2 = Beats/Measure
                    8:04
                    Writing 2/4 on the Staff
                    9:03
                    2/4 Continued
                    9:11
                    Listening to the Example
                    10:33
                    Example 1: 4/4
                    11:26
                    Example 2: 4/4
                    13:11
                    Example 3: 2/4
                    13:38
                    Example 4: 2/4
                    14:32
                    Rhythmic Notation, Continued

                    27m 57s

                    Intro
                    0:00
                    Lesson Objectives
                    0:07
                    Dotted Half Notes
                    0:39
                    Dots Add Half of the Note's Beat to Itself
                    1:15
                    Dotted Half Notes = 3 Quarter Notes = 3 Beats
                    1:47
                    Dotted Quarter Notes
                    2:03
                    Having Three Beats in a Measure
                    2:30
                    3/4 Time Signature = 3 Counts per Measure
                    2:58
                    Dotted Quarter Notes
                    3:34
                    Eighth Notes Are Half of a Quarter Note
                    3:44
                    Dotted Quarter Notes = 1.5 Beats
                    4:30
                    Eighth Notes
                    5:56
                    Two Eighth Notes in Every Quarter Note
                    6:01
                    Listening to the Example
                    7:18
                    Dotted Eighth Notes
                    8:34
                    1 Eighth Note = 2 Sixteenth Notes
                    8:42
                    Eighth Notes Barred and Separate
                    9:57
                    Sixteenth Notes
                    11:00
                    1 Sixteenth Note = Half of an Eighth Note
                    11:09
                    Dotted Sixteenth Notes
                    12:43
                    1 Sixteenth Note = 2 Thirty-Second Notes
                    13:03
                    Sixteenth Notes Barred and Separate
                    14:27
                    Thirty-Second Notes
                    16:03
                    Listening to the Example
                    17:30
                    Thirty-Second Notes Barred and Separate
                    18:25
                    Example 1: Dotted Half Notes
                    18:51
                    Example 2: Dotted Quarter Notes
                    19:55
                    Example 3: Eighth Note Combinations
                    21:13
                    Example 4: Sixteenth Note Combinations
                    23:16
                    Example 5: Thirty-Second Note Combinations
                    24:26
                    Rests

                    32m 58s

                    Intro
                    0:00
                    Lesson Objectives
                    0:07
                    Whole Rests
                    0:47
                    Writing the Whole Rest
                    0:59
                    How Many Counts a Whole Rest is in Different Time Signatures
                    1:30
                    Half Rests
                    1:50
                    How Many Counts a Half Rest is
                    1:53
                    Writing a Half Rest
                    2:10
                    Listening to a Whole Rest
                    2:38
                    Half Rests are Two Counts of Silence
                    3:19
                    Difference Between Writing a Half and Whole Rest
                    4:19
                    Quarter Rests
                    4:45
                    Quarter Rests are One Count of Silence
                    4:49
                    Review of Writing Whole and Half Rests
                    5:07
                    Writing a Quarter Rest
                    5:25
                    Listening to a Quarter Rest
                    6:59
                    Eighth Rests
                    7:57
                    Writing an Eighth Rest
                    8:06
                    Review of Whole, Half, and Quarter Rests
                    8:14
                    Listening to an Eighth Rest
                    9:33
                    Two Eighth Rests in a Row
                    10:09
                    Sixteenth Rests
                    10:32
                    Writing a Sixteenth Rest
                    10:40
                    Review of Whole, Half, Quarter, and Eighth Rests
                    11:27
                    Listening to a Sixteenth Rest
                    12:15
                    Thirty-Second Rests
                    13:31
                    Review of Whole, Half, Quarter, Eighth, and Sixteenth Rests
                    13:49
                    Written Example with Thirty-Second Rests
                    14:28
                    Not Writing the Bar Over a Rest
                    16:04
                    Listening to a Thirty-Second Rest
                    16:29
                    Explanation of Rest Placement
                    17:12
                    Writing the Eighth Rest
                    17:54
                    Exploration of Rest Placement Continued
                    18:41
                    Writing the Sixteenth Rest
                    18:42
                    Writing the Thirty-Second Rest
                    19:14
                    Example 1: Whole Rests
                    19:41
                    Example 2: Half Rests
                    20:41
                    Example 3: Quarter Rests
                    21:58
                    Example 4: Eighth Rests
                    23:10
                    Example 5: Sixteenth Rests
                    25:14
                    Example 6: Thirty-Second Rests
                    27:27
                    Example 7: Completing 4/4 Measures with Rests
                    31:20
                    Example 8: Completing 2/4 Measures with Rests
                    31:53
                    Section 4: Keyboard Basics
                    Introduction of Keyboard

                    19m 11s

                    Intro
                    0:00
                    Lesson Objectives
                    0:10
                    Visual Presentation of the Keyboard
                    0:35
                    Introduction of Middle C
                    1:28
                    Locate C Key
                    1:50
                    Middle C Key
                    2:22
                    Middle C on This Keyboard
                    3:22
                    C in Octaves
                    3:34
                    Eight Keys
                    3:53
                    Middle C on the Grand Staff Treble Clef
                    4:35
                    Middle C on the Grand Staff Bass Clef
                    5:45
                    C on Keyboard
                    6:41
                    Illustration of Every C on the Piano Keyboard
                    7:22
                    C on Keyboard
                    7:54
                    Bass Clef
                    9:22
                    Listen to More Octaves
                    10:02
                    Example 1: Writing Middle C on Treble Clef
                    11:14
                    Example 2: Writing Middle C in Bass Clef
                    12:50
                    Example 3: Writing Every C on the Keyboard
                    14:06
                    Example 4: Finding Middle C on the Keyboard
                    16:38
                    Example 5: Every C on a Keyboard
                    17:47
                    Finding D E F G A B on the Keyboard

                    24m 46s

                    Intro
                    0:00
                    Lesson Objectives
                    0:11
                    Treble Clef C D E F G A B
                    0:34
                    Finding C
                    0:56
                    Finding D
                    1:13
                    Finding E
                    1:25
                    Finding F
                    1:33
                    Finding G, A and B
                    1:52
                    Bass Clef C D E F G A B
                    2:30
                    Playing C, D, E, F, G, A, B
                    2:46
                    Finding C
                    4:16
                    Finding D, E, F, G, A, B
                    4:39
                    White Key Whole Step
                    5:08
                    Half Steps
                    5:44
                    Whole Steps
                    5:59
                    Identifying Half and Whole Steps
                    6:19
                    Pattern of Half and Whole Steps
                    7:38
                    White Key Half Step
                    8:07
                    Sounds of Half Steps
                    8:30
                    Treble Clef C D E F G A B
                    9:21
                    Writing Treble Clef Notes on the Staff
                    9:42
                    Listening to Treble Clef C, D, E, F, G, A, and B
                    10:30
                    Drawing Bar Lines
                    11:12
                    Bass Clef C D E F G A B
                    11:30
                    Listening to Bass Clef C, D, E, F, G, A, and B
                    12:10
                    Drawing Bar Lines
                    12:52
                    White Key Whole Step and Half Step
                    13:19
                    Writing Whole Steps on the Staff
                    13:38
                    Writing Half Steps on the Staff
                    15:03
                    Example 1: Writing C D E F G A B in Treble Clef
                    15:59
                    Example 2: Writing C D E F G A B in Bass Clef
                    16:48
                    Example 3: Writing White Key Whole Steps
                    18:53
                    Example 4: Writing White Key Half Steps
                    19:57
                    Example 5: Finding C D E F G A B on the Keyboard
                    20:47
                    Example 6: Finding White Key Whole and Half Steps
                    21:55
                    Identifying Black Keys

                    27m 22s

                    Intro
                    0:00
                    Lesson Objectives
                    0:14
                    Sharp Keys C# D# E# F# G# A# B#
                    0:31
                    Sharp Something by Raising it by a Half Step
                    0:45
                    Listening to Sharps
                    0:50
                    Finding Sharps on the Keyboard
                    1:38
                    White Keys That Are Also Sharp
                    2:19
                    Flat Keys D Flat, E Flat, F Flat, G Flat, A Flat, B Flat, C Flat
                    2:25
                    Finding Flats on the Keyboard
                    2:37
                    White Keys That Are Also Flat
                    2:57
                    Enharmonic Keys: One Note with Two Names
                    3:05
                    Whole Steps Using Black Keys
                    3:20
                    Two Half Steps = One Whole Step
                    3:50
                    Finding Half and Whole Steps on the Keyboard
                    4:03
                    Half Step + Half Step = Whole Step
                    5:27
                    Half Steps Using Black Keys
                    5:58
                    Writing a Sharp or Flat After the Letter
                    6:12
                    Listening to the Chromatic Scale
                    6:50
                    Chromatic Movement
                    7:22
                    Writing Sharps on the Staff
                    7:32
                    Middle Box Needs to Intersect the Line or Space That It's Referring To
                    7:37
                    The Order of Sharps
                    8:09
                    Sharps in the Bass Clef
                    8:27
                    In the Staff, The Sharp or Flat Comes Before the Note
                    8:43
                    Using Sharps While Ascending, Using Flats While Descending
                    9:07
                    Writing Flats on the Staff
                    9:34
                    The Order of Flats
                    9:37
                    Using Flats While Descending
                    10:03
                    Using Sharps While Ascending
                    10:19
                    Writing Black Key Whole and Half Steps
                    10:26
                    Playing Half Steps on the Keyboard
                    10:45
                    Writing Whole Steps on the Staff With Sharps and Flats While Ascending and Descending
                    11:00
                    Listening to the Example
                    12:02
                    Example 1: Writing Sharp and Flat Notes in Treble Clef
                    12:58
                    Example 2: Writing Sharp and Flat Notes in Bass Clef
                    16:56
                    Example 3: Writing Black Key Whole Steps
                    18:08
                    Example 4: Writing Black Key Half Steps
                    21:00
                    Example 5: Finding Sharps on the Keyboard
                    24:06
                    Example 6: Finding Flats on the Keyboard
                    24:47
                    Example 7: Finding Black Key Whole and Half Steps on the Keyboard
                    25:18
                    C Major Scale Whole & Half Steps

                    19m 19s

                    Intro
                    0:00
                    Lesson Objectives
                    0:11
                    C Major Scale on Keyboard
                    0:24
                    Pattern of Whole and Half Steps for Major Scales
                    1:49
                    C Major Scale on the Staff
                    4:30
                    Ascending and Descending Scales
                    5:18
                    C Major Whole and Half Steps on the Staff
                    6:36
                    Example 1: Writing out C Major Scale in Treble Clef
                    7:55
                    Example 2: Writing out C Major Scale in Bass Clef
                    9:56
                    Example 3: Illustrating the Whole/Half Step Pattern in C Major
                    10:50
                    Example 4: Using the Whole/Half Step Pattern to Find a Major Scale on 'D'
                    12:37
                    Writing D Major Scale on Staff
                    15:06
                    Example 5: Finding and Playing C Major on Keyboard
                    15:50
                    Example 6: Finding and Playing D Major on Keyboard Using the Whole/Half Step Pattern
                    16:23
                    Finding and Playing F Major on Keyboard Using the Whole/Half Step Pattern
                    17:58
                    Section 5: Intervals
                    Major, Minor, Perfect & Numbered Intervals

                    27m 50s

                    Intro
                    0:00
                    Lesson Objectives
                    0:10
                    Numbering Notes of C Major Scale on Keyboard
                    0:22
                    Scale Degrees of C Major Scale
                    1:00
                    Illustration of Major and Minor Intervals of C Major Scale
                    1:46
                    Major 2nd (M2)
                    2:34
                    Major 3rd (M3)
                    2:43
                    M is the Abbreviation for 'Major'
                    3:04
                    Perfect 4th (P4)
                    3:44
                    P is the Abbreviation for 'Perfect'
                    3:50
                    Perfect 5th (P5)
                    4:03
                    Major 6th (M6)
                    4:18
                    Major 7th (M7)
                    4:27
                    Perfect 8th or Perfect Octave (P8)
                    4:42
                    Listening to the Major Intervals on the Keyboard
                    5:15
                    Minor Intervals of the C Major Scale
                    6:59
                    Half Steps are Minor Intervals
                    7:50
                    Hearing the Difference Between Major and Minor Intervals
                    8:47
                    Illustration of Perfect Intervals in C Major Scale
                    8:56
                    Listening to the Perfect Intervals of C Major
                    9:29
                    Counting Half Steps of P4
                    10:05
                    Counting Half Steps of P5
                    10:26
                    Counting Half Steps of P8
                    10:43
                    Numbering Intervals of C Major Scale on the Grand Staff
                    11:01
                    Identifying Major and Minor Intervals of C Major Scale on Grand Staff
                    12:04
                    Finding Major and Minor Intervals on the Grand Staff
                    12:38
                    Every Whole Step is M2, Every Half Step is m2
                    13:48
                    Identifying Perfect Intervals of C Major Scale on Grand Staff
                    14:13
                    Drawing and Playing Intervals as Chords
                    14:57
                    Example 1: Finding Major Intervals in C Major Scale
                    16:32
                    Example 2: Finding Minor Intervals in C Major Scale
                    17:07
                    Example 3: Finding Perfect Intervals in the C Major Scale
                    17:38
                    Example 4: Writing Major Intervals of C Major Scale
                    18:45
                    Example 5: Writing Minor and Perfect Intervals of C Major Scale
                    20:07
                    Example 6: Writing Major, Minor and Perfect Intervals Independent of the C Major Scale
                    21:26
                    Counting Half Steps of M3
                    22:57
                    Counting Half Steps of P4
                    23:55
                    Counting Half Steps of P5
                    24:43
                    Counting Half Steps of M6
                    25:09
                    Counting Half Steps of M7
                    26:14
                    Example 7: Numbering Intervals
                    26:49
                    Section 6: Major and Minor Keys
                    Circle of Fifths

                    24m 55s

                    Intro
                    0:00
                    Lesson Objectives
                    0:06
                    C
                    0:21
                    Circle of Fifths
                    0:33
                    Relative Minor Keys
                    0:44
                    Relative Minor Key to C is A Minor
                    0:56
                    Listening to the C Scale
                    1:10
                    To Find the Relative Minor, Go Down 4 Half Steps
                    1:20
                    The Relative Minor Shares the Key Signature of the Major Scale
                    1:42
                    C, G
                    1:58
                    Relative Minor to G Major is E Minor
                    2:07
                    Always Use the Natural Minor for Relative Minors
                    2:36
                    Why It's Called the Circle of Fifths
                    2:59
                    C, G, D
                    3:35
                    Finding the Relative Minor of D Major
                    4:17
                    C, G, D, A
                    4:42
                    Finding the Relative Minor of A Major
                    5:03
                    Relative Minor of A Major is F# Minor
                    5:10
                    C, G, D, A, E
                    5:50
                    Relative Minor of E Major is C# Minor
                    6:03
                    C, G, D, A, E, B/C Flat
                    7:19
                    Relative Minor of B Major / C Flat Major is G# Minor
                    8:00
                    Listening to B Major and G# Minor
                    8:28
                    C, G, D, A, E, B/C Flat, F#/G Flat
                    9:14
                    The Relative Minor of F# Major / G Flat Major is D# Minor
                    10:04
                    F# Major / G Flat Major and D# Minor Have Six Sharps / Six Flats
                    10:25
                    C, G, D, A, E, B/C Flat, F#/G Flat, D Flat/C#
                    11:55
                    The Relative Minor of D Flat Major / C # Major is B Flat Minor
                    12:24
                    Listening to D Flat/C# Major and B Flat Minor
                    13:08
                    C, G, D, A, E, B/C Flat, F#/G Flat, D Flat/C#, A Flat
                    14:06
                    Listening to A Flat Major and F Minor
                    14:48
                    C, G, D, A, E, B/C Flat, F#/G Flat, D Flat/C#, A Flat, E Flat
                    15:19
                    E Flat Major Has Three Flats, And Its Relative Minor is C Minor
                    15:52
                    Listening to E Flat Major and C Minor
                    16:00
                    C, G, D, A, E, B/C Flat, F#/G Flat, D Flat/C#, A Flat, E Flat, B Flat
                    16:23
                    B Flat Major Has Two Flats, And Its Relative Minor is G Minor
                    16:55
                    Listening to B Flat Major and G Minor
                    17:10
                    C, G, D, A, E, B/C Flat, F#/G Flat, D Flat/C#, A Flat, E Flat, B Flat, F
                    17:25
                    F Major Has One Flat, And Its Relative Minor is D Minor
                    18:00
                    Example 1: Play Circle of Fifths
                    18:31
                    Writing the Major Keys of the Circle of Fifths
                    18:32
                    Writing the Relative Minor Keys of the Circle of Fifths
                    20:20
                    Listening to the Circle of Fifths
                    22:01
                    Minor Scales

                    34m 12s

                    Intro
                    0:00
                    Lesson Objectives
                    0:06
                    Natural Minor
                    0:42
                    Natural Minor has Lowered Third, Sixth, and Seventh
                    1:49
                    Lowering the Third, Sixth, and Seventh to Find A Minor
                    2:34
                    Listening to the Difference Between a Major Scale and a Natural Minor Scale
                    4:28
                    Natural Minor Continued
                    5:14
                    Listening to the Difference Between a C Major Scale and a C Natural Minor Scale
                    5:59
                    Writing C Natural Minor on the Staff
                    6:28
                    Harmonic Minor
                    7:14
                    Harmonic Minor Has One Difference from Natural Minor
                    7:19
                    Review of Natural Minor
                    7:36
                    In Harmonic, You Lower the Third and the Sixth, But You Keep the Seventh as it Would Be in a Major Scale
                    8:01
                    Listening to the Major, Natural Minor, and Harmonic Minor Scales
                    9:05
                    Harmonic Minor Continued
                    10:26
                    Writing C Harmonic Minor on the Staff
                    10:43
                    Listening to C Harmonic Minor
                    11:20
                    Melodic Minor
                    11:47
                    Melodic Minor Differs When Ascending and Descending
                    12:15
                    Writing Ascending and Descending Melodic Minor on the Staff
                    13:00
                    Listening to Melodic Minor
                    13:30
                    Melodic Minor Continued
                    14:13
                    Writing C Melodic Minor on the Staff
                    14:18
                    Listening to C Melodic Minor
                    15:27
                    Example 1: Writing Natural Minor
                    16:04
                    Example 2: Writing Harmonic Minor
                    17:54
                    Example 3: Writing Melodic Minor
                    19:35
                    Example 4: Exploring Natural Minor Intervals
                    24:08
                    Augmented = An Interval with the Second Note Raised One Half Step
                    27:07
                    Diminished = Lowered Half Step
                    27:42
                    Example 5: Exploring Harmonic Minor Intervals
                    27:52
                    Example 6: Exploring Melodic Minor Intervals
                    30:19
                    Key Signatures

                    32m 43s

                    Intro
                    0:00
                    Lesson Objectives
                    0:09
                    Keys of G and D
                    0:16
                    Writing and Listening to G Major on the Grand Staff
                    0:18
                    Writing and Listening to D Major on the Grand Staff
                    1:36
                    Keys of A and E
                    3:24
                    Writing A Major on the Staff
                    3:25
                    Writing E Major on the Staff
                    4:14
                    Listening to A and E Majors
                    4:44
                    Keys of B and F#
                    6:04
                    Writing B Major on the Staff
                    6:06
                    Writing F# Major on the Staff
                    6:54
                    Listening to B and F# Majors
                    7:31
                    Key of C#
                    8:47
                    Writing C# Major on the Staff
                    9:40
                    Listening to C# Major
                    10:11
                    Keys of F and B Flat
                    10:34
                    Writing F Major on the Staff
                    10:44
                    Writing B Flat Major on the Staff
                    11:17
                    Listening to F and B Flat Majors
                    11:46
                    Keys of E Flat and A Flat
                    12:33
                    Writing E Flat Major on the Staff
                    13:00
                    Writing A Flat Major on the Staff
                    13:57
                    Listening to E Flat and A Flat Majors
                    14:46
                    Keys of D Flat and G Flat
                    16:12
                    Writing D Flat Major on the Staff
                    16:20
                    Writing G Flat Major on the Staff
                    17:04
                    Listening to D Flat and G Flat Majors
                    17:48
                    Key of C Flat
                    18:58
                    Writing C Flat Major on the Staff
                    19:00
                    Listening to C Flat Major
                    19:45
                    Example 1: Order of Sharps
                    20:30
                    Phrase for Sharps Backwards: Bead, G, C, F
                    21:15
                    Example 2: Order of Flats
                    21:39
                    Order of Flats is the Order of Sharps Backwards
                    21:41
                    Example 3: Identify Keys of G and D
                    22:17
                    Example 4: Identify Keys of A and E
                    23:55
                    Example 5: Identify Keys of B, F# and C#
                    25:48
                    Example 6: Identify Keys of F, B Flat and E Flat
                    27:56
                    Example 7: Identify Keys of A Flat, D Flat and G Flat
                    29:58
                    Example 8: Identify Key of C Flat
                    31:33
                    The Major Scale in 12 Different Keys

                    37m 10s

                    Intro
                    0:00
                    Lesson Objectives
                    0:14
                    C Major
                    0:40
                    C# (D Flat) Major
                    2:14
                    C# Major
                    2:24
                    D Flat Major
                    4:12
                    D Major
                    6:24
                    E Flat Major
                    7:57
                    Why E Flat Major is not known as D# Major
                    9:38
                    E Major
                    10:26
                    F Major
                    11:33
                    F# (G Flat) Major
                    12:49
                    G Major
                    14:59
                    A Flat Major
                    15:38
                    Why A Flat Major is not known as G# Major
                    16:11
                    A Major
                    18:30
                    B Flat Major
                    20:13
                    B (C Flat) Major
                    21:15
                    Example 1: Create a Major Scale on C
                    25:37
                    Example 2: Create a Major Scale on D
                    26:10
                    Example 3: Create a Major Scale on E
                    26:37
                    Example 4: Create a Major Scale on F
                    28:36
                    Example 5: Create a Major Scale on G
                    28:57
                    Example 6: Create a Major Scale on A
                    29:32
                    Example 7: Create a Major Scale on B
                    30:33
                    Example 8: Create a Major Scale on C#
                    31:13
                    Example 9: Create a Major Scale on E Flat
                    32:35
                    Example 10: Create a Major Scale on F#
                    34:11
                    Example 11: Create a Major Scale on A Flat
                    34:48
                    Example 12: Create a Major Scale on B Flat
                    35:53
                    Section 7: Scale Degrees
                    Scale Degrees

                    25m 55s

                    Intro
                    0:00
                    Lesson Objectives
                    0:08
                    Tonic
                    0:25
                    Supertonic
                    1:52
                    Mediant
                    3:39
                    Subdominant
                    5:03
                    Dominant
                    6:53
                    Submediant
                    9:13
                    Leading Tone
                    11:10
                    Altered Scale Degrees in Natural Minor
                    13:30
                    Natural Minor has a Flat Mediant (3rd), Flat Submediant (6th), and FlatLeading Tone (7th)
                    13:58
                    Altered Scale Degrees in Harmonic Minor
                    15:10
                    Harmonic Minor has a Flat Mediant (3rd), Flat Submediant (6th), and Sharp Leading Tone (7th)
                    15:29
                    Altered Scale Degrees in Melodic Minor
                    16:42
                    Melodic Minor is Different Ascending and Descending
                    16:58
                    Melodic Minor has an Ascending Flat Median (3rd), Sharp Submediant (6th), and Sharp Leading Tone (7th), but a Descending Flat Mediant (3rd), Flat Submediant (6th), and Flat Leading Tone (7th)
                    17:12
                    Example 1: Finding the Tonic
                    18:34
                    Example 2: Finding the Supertonic
                    19:18
                    Example 3: Finding the Mediant
                    19:55
                    Example 4: Finding the Subdominant
                    20:08
                    Example 5: Finding the Dominant
                    20:30
                    Example 6: Finding the Submediant
                    20:54
                    Example 7: Finding the Leading Tone
                    21:16
                    Example 8: Natural Minor Scale Degrees
                    21:45
                    Example 9: Harmonic Minor Scale Degrees
                    22:26
                    Example 10: Melodic Minor Scale Degrees
                    24:07
                    Section 8: Accidentals
                    Double Sharps & Flats

                    13m 40s

                    Intro
                    0:00
                    Lesson Objectives
                    0:12
                    Review of Sharp
                    0:19
                    Double Sharp
                    1:13
                    X = Double Sharp
                    1:35
                    Double Sharp In a Scale
                    3:58
                    Review of Flat
                    5:59
                    Double Flat
                    7:24
                    Two Flat Signs = Double Flat
                    7:34
                    Use of Double Flat In a Scale
                    8:12
                    Example 1: Writing Double Sharps
                    11:02
                    Example 2: Double Sharp Equivalencies
                    11:30
                    Example 3: Writing Double Flats
                    12:11
                    Example 4: Double Flat Equivalencies
                    12:42
                    Section 9: Rhythms
                    3/4, Simple & Compound Meter

                    15m 46s

                    Intro
                    0:00
                    Lesson Objectives
                    0:10
                    Time Signature of 3/4
                    0:18
                    Top Number is How Many Beats per Measure, Bottom Number is What Note Makes One Beat
                    0:28
                    3/4 Has Three Beats per Measure
                    1:06
                    3/4 Continued
                    1:31
                    Simple Meter, Duple Simple
                    2:21
                    Duple Simple = 2/4
                    2:32
                    Simple Meter, Triple Simple
                    3:01
                    Triple Simple = 3/4
                    3:02
                    Simple Meter, Quadruple Simple
                    3:38
                    Quadruple Simple = 4/4
                    3:39
                    Compound Meter, Compound Triple
                    4:02
                    Compound Triple = 3/8
                    4:03
                    3/8 = Three Eighth Notes Per Measure
                    4:28
                    Compound Meter, Compound Duple or Simple Triple
                    5:13
                    Compound Duple = 6/8
                    5:20
                    6/8 = Six Eighth Notes Per Measure
                    5:32
                    Simple Triple = 6/8
                    5:43
                    Compound Meter, Compound Triple
                    6:42
                    Compound Triple = 9/8
                    6:43
                    9/8 = Nine Eighth Notes Per Measure
                    6:46
                    Compound Meter, Compound Quadruple
                    7:41
                    Compound Quadruple = 12/8 = Twelve Eighth Notes Per Measure
                    7:42
                    Example 1: 3/4
                    8:53
                    3/4 Has Three Beats per Measure
                    9:02
                    Example 2: Duple Simple
                    9:30
                    Example 3: Triple Simple
                    9:51
                    Example 3 Part 2: Quadruple Simple
                    10:14
                    Example 4: Compound Triple
                    10:39
                    Example 5: Compound Duple or Simple Triple
                    11:06
                    Example 6: Compound Triple
                    13:53
                    Example 7: Compound Quadruple
                    14:37
                    Section 10: Solfeggio
                    Solfeggio

                    20m 32s

                    Intro
                    0:00
                    Lesson Objectives
                    0:10
                    Movable Do
                    0:36
                    Fixed Do
                    0:50
                    Movable Do: When You Have the Tonic Note of Every Scale as Do
                    0:59
                    Re
                    2:42
                    Re is the Supertonic, or Second Scale Degree (2nd)
                    2:43
                    Mi
                    3:47
                    Mi is the Mediant, or Third Scale Degree (3rd)
                    3:55
                    Fa
                    4:32
                    Fa is the Subdominant, or Fourth Scale Degree (4th)
                    5:10
                    Sol
                    6:01
                    Sol is the Dominant, or Fifth Scale Degree (5th)
                    6:20
                    La
                    7:02
                    La is the Submediant, or Sixth Scale Degree (6th)
                    7:10
                    Si (Ti)
                    8:54
                    Ti was Introduced in America
                    9:00
                    Si (Ti) is the Leading Tone, or Seventh Scale Degree (7th)
                    9:55
                    Ear Training Do Re Mi Fa Sol La Si Do
                    11:03
                    Example 1: Finding Do
                    12:30
                    Example 2: Finding Re
                    12:42
                    Example 3: Finding Mi
                    12:58
                    Example 4: Finding Fa
                    13:32
                    Example 5: Finding Sol
                    14:34
                    Example 6: Finding La
                    15:08
                    Example 7: Finding Si
                    16:02
                    Example 8: Finding Combinations of Solfeggio Patterns
                    17:10
                    Section 11: Triads and Chords
                    Major Triads

                    27m 19s

                    Intro
                    0:00
                    Lesson Objectives
                    0:06
                    C Major Triad Root
                    1:00
                    Three Notes Stacked on Top of One Another = Chord, and All Notes are Played at the Same Time
                    1:57
                    C Major Triad Third
                    2:18
                    What a Third is
                    2:21
                    A Third is Five Half Steps Above the First Note, or the Root
                    3:06
                    C Major Triad Fifth
                    4:27
                    Finding The Third
                    6:20
                    The Third is Always the Middle Note of a Chord
                    6:37
                    Finding the Fifth
                    7:54
                    Count up 4 Half Steps from the 3rd to Find the Fifth
                    10:07
                    Transposing Triads
                    11:04
                    Transposing
                    11:13
                    Example 1: Triads on Black Keys
                    13:38
                    Example 2: Triads on White Keys
                    18:41
                    Example 3: Finding the Root
                    22:36
                    Example 4: Finding the Third
                    23:22
                    Example 5: Finding the Fifth
                    23:40
                    Example 6: Playing a Triad on Every Key
                    25:22
                    Minor Triads

                    32m 3s

                    Intro
                    0:00
                    Lesson Objectives
                    0:07
                    C Minor Triad Root
                    0:35
                    Finding the Root of the Chord
                    0:58
                    Review of Major Triad
                    1:15
                    How to Write a Minor Triad
                    1:28
                    Writing the C Minor Triad on the Staff
                    1:57
                    Major Triads are Labeled with an Uppercase I, But Minor Triads are Labeled with a Lowercase i
                    2:22
                    C Minor Triad Third
                    2:39
                    Using Half Step Pattern to Find the Third
                    2:55
                    Finding the Minor Third Using 4 Half Steps
                    3:33
                    C Minor Triad Fifth
                    4:06
                    Using Half Step Pattern to Find the Fifth
                    4:24
                    Finding the Minor Fifth Using 5 Half Steps
                    4:38
                    Half Step Pattern of Major and Minor Chords are Opposite
                    5:39
                    Finding the Third
                    6:13
                    Converting D Major to D Minor by Lowering the Third
                    6:37
                    Using Key Signature to Find Minor Chord
                    7:37
                    Writing Out a D Minor Chord
                    7:54
                    Finding the Fifth
                    8:22
                    Finding the B Flat Minor Chord Using Half Step Pattern
                    8:54
                    Playing a B Flat Major and B Flat Minor Scale
                    10:14
                    Writing the B Flat Minor Chord on the Staff
                    11:09
                    Transposing Minor Triads
                    11:42
                    Finding the A Major Chord by Counting Steps
                    11:56
                    Writing the Sharps of A Major
                    12:53
                    Finding A Major on the Keyboard
                    13:23
                    Finding A Minor on the Keyboard by Counting Steps
                    13:40
                    Playing A Major Scale on the Keyboard
                    13:59
                    Playing A Minor Scale on the Keyboard
                    14:10
                    A Minor Doesn't Have Any Accidentals
                    14:40
                    Finding D Flat Minor Chord
                    15:32
                    The Only Difference Between a Major and Minor Chord is the Third
                    16:54
                    Example 1: Finding Minor Triads on Black Keys
                    17:01
                    Relative Major and Minor
                    20:50
                    Example 2: Finding Minor Triads on White Keys
                    23:08
                    Example 3: Finding the Root
                    26:50
                    Example 4: Finding the Third
                    27:13
                    Example 5: Finding the Fifth
                    27:27
                    Example 6: Playing a Minor Triad on Every Key
                    29:24
                    Augmented Chords

                    21m 8s

                    Intro
                    0:00
                    Lesson Objectives
                    0:10
                    C Augmented Chord
                    0:29
                    The Third of an Augmented Chord is the Same as the Third of a Major Chord
                    0:55
                    There are 5 Half Steps Between the Root and Third of an Augmented Chord
                    1:14
                    There are 5 Half Steps Between the Third and the Fifth of an Augmented Third
                    1:31
                    Writing an Augmented Chord on the Staff
                    2:33
                    How to Label an Augmented Chord
                    2:49
                    D Augmented Chord
                    2:57
                    Counting Half Steps to Find the D Augmented Chord
                    3:03
                    Listening to the D Augmented Chord
                    3:45
                    E Augmented Chord
                    4:21
                    Counting Half Steps to Find the E Augmented Chord
                    4:31
                    Writing the E Augmented Chord on the Staff
                    5:16
                    F Augmented Chord
                    6:19
                    Counting Half Steps to Find the F Augmented Chord
                    6:26
                    Listening to the F Augmented Chord
                    7:28
                    G Augmented Chord
                    7:53
                    Writing the G Augmented Chord on the Staff
                    8:04
                    A Augmented Chord
                    8:30
                    Counting Half Steps to Find the A Augmented Chord
                    8:40
                    Listening to the A Augmented Chord
                    9:10
                    B Augmented Chord
                    9:39
                    Counting Half Steps to Find the B Augmented Chord
                    9:50
                    The B Augmented Chord Has a Double Sharp
                    10:20
                    Example 1: Playing C Augmented, Writing C Augmented
                    11:19
                    Example 2: Playing D Augmented, Writing D Augmented
                    12:03
                    Example 3: Playing E Augmented, Writing E Augmented
                    13:21
                    Example 4: Playing F Augmented, Writing F Augmented
                    14:47
                    Example 5: Playing G Augmented, Writing G Augmented
                    16:19
                    Example 6: Playing A Augmented, Writing A Augmented
                    16:55
                    Example 7: Playing B Augmented, Writing B Augmented
                    17:40
                    Diminished Chords

                    19m 5s

                    Intro
                    0:00
                    Lesson Objectives
                    0:07
                    C Diminished Chord
                    0:28
                    Diminished Chords are Made Up of Two Minor Thirds
                    0:40
                    Counting Half Steps to Find the C Diminished Chord
                    0:50
                    Listening to the C Diminished Chord
                    1:20
                    Reviewing the C Augmented Chord
                    1:41
                    D Diminished Chord
                    2:34
                    Counting Half Steps to Find the D Diminished Chord
                    2:38
                    Listening to the D Diminished Chord
                    3:00
                    E Diminished Chord
                    4:11
                    Counting Half Steps to Find the E Diminished Chord
                    4:18
                    Writing the E Diminished Chord on the Staff
                    5:16
                    F Diminished Chord
                    5:24
                    Counting Half Steps to Find the F Diminished Chord
                    5:30
                    Listening to the F Diminished Chord
                    5:50
                    G Diminished Chord
                    6:42
                    Counting Half Steps to Find the G Diminished Chord
                    6:44
                    Listening to the G Diminished Chord
                    7:05
                    A Diminished Chord
                    8:29
                    Counting Half Steps to Find the A Diminished Chord
                    8:50
                    Listening to the A Diminished Chord
                    9:05
                    Listening to the A Minor Chord
                    9:13
                    Listening to the A Major Chord
                    9:25
                    Listening to the A Augmented Chord
                    9:32
                    B Diminished Chord
                    10:00
                    Counting Half Steps to Find the B Diminished Chord
                    10:09
                    Listening to the B Diminished Chord
                    10:27
                    Listening to the B Augmented Chord
                    10:35
                    Listening to the B Major Chord
                    10:42
                    Listening to the B Minor Chord
                    10:45
                    Example 1: Playing D Flat Diminished, Writing D Flat Diminished
                    11:42
                    Example 2: Playing E Flat Diminished, Writing E Flat Diminished
                    13:05
                    Example 3: Playing F# Diminished, Writing F# Diminished
                    14:01
                    Example 4: Playing A Flat Diminished, Writing A Flat Diminished
                    14:51
                    Example 5: Playing B Flat Diminished, Writing B Flat Diminished
                    16:36
                    Section 12: Figured Bass
                    Roman Numeral Notation in Major & Minor

                    28m 53s

                    Intro
                    0:00
                    Lesson Objectives
                    0:09
                    Major I
                    0:35
                    Creating Chords on Every Scale Degree
                    0:50
                    Review of Using Half Steps to Write a Major Chord
                    1:27
                    Labeling a Major Chord as I
                    2:08
                    Major ii
                    2:20
                    ii is a Minor Chord
                    2:34
                    Major iii
                    2:48
                    iii is a Minor Chord
                    3:04
                    Major IV
                    3:10
                    IV is a Major Chord
                    3:12
                    Major V
                    3:27
                    V is a Major Chord
                    3:31
                    Major vi
                    3:37
                    vi is a Minor Chord
                    3:40
                    Major vii0
                    4:10
                    vii0 is a Diminished Chord
                    4:14
                    A Diminished Chord is Two Minor Intervals Stacked on Top of Each Other
                    4:40
                    Natural Minor i
                    6:24
                    Review of Minor Scale's Lowered Scale Degrees
                    6:30
                    Natural Minor ii0
                    6:59
                    ii0 is a Diminished Chord
                    7:27
                    Natural Minor III
                    7:38
                    III is a Major Chord
                    7:43
                    Natural Minor iv
                    8:01
                    iv is a Minor Chord
                    8:17
                    Natural Minor v
                    8:23
                    v is a Minor Chord
                    8:55
                    Natural Minor VI
                    9:04
                    VI is a Major Chord
                    9:12
                    Natural Minor VII
                    9:22
                    VII is a Major Chord
                    9:28
                    Review of Natural Minor Chords on Every Scale Degree
                    9:36
                    Harmonic Minor i
                    10:44
                    Review of Harmonic Minor Scale
                    10:52
                    Harmonic Minor ii0
                    12:00
                    Harmonic Minor III+
                    12:08
                    III+ is an Augmented Chord
                    12:19
                    An Augmented Chord is Made Up of Two Major Intervals
                    12:31
                    Harmonic Minor iv
                    12:54
                    Harmonic Minor V
                    13:08
                    Harmonic Minor VI
                    13:33
                    Harmonic Minor vii0
                    13:50
                    Review of Harmonic Minor Chords on Every Scale Degree
                    13:56
                    Listening to the Harmonic Minor Chords on Every Scale Degree
                    14:41
                    Melodic Minor (Ascending) i
                    15:24
                    Review of Melodic Minor Scale
                    15:33
                    Melodic Minor (Ascending) ii
                    16:43
                    Melodic Minor (Ascending) III+
                    17:13
                    Melodic Minor (Ascending) IV
                    17:37
                    Melodic Minor (Ascending) V
                    17:57
                    Melodic Minor (Ascending) vi0
                    18:16
                    Melodic Minor (Ascending) vii0
                    18:43
                    Review of Melodic Minor Chords on Every Scale Degree (Ascending)
                    18:48
                    Listening of Melodic Minor Chords on Every Scale Degree (Ascending)
                    20:06
                    Example 1: Major Scale Chord Notation
                    21:02
                    Example 2: Natural Minor Scale Chord Notation
                    22:58
                    Example 3: Harmonic Minor Chord Notation
                    24:59
                    Example 4: Melodic Minor Chord Notation
                    26:50
                    Section 13: Chords and Inversions
                    Seventh Chords

                    16m 52s

                    Intro
                    0:00
                    Lesson Objectives
                    0:11
                    A Seventh Chord is a Triad With An Added Third
                    0:23
                    Listening to a Seventh Chord
                    0:35
                    Writing a Seventh Chord on the Staff
                    1:05
                    Major-Major Seventh Chord, Major Triad + Major Seventh
                    1:18
                    Listening to a Major-Major Seventh Chord
                    1:52
                    Major-Minor Seventh Chord, Major Triad + Minor Seventh
                    2:29
                    Notating a Major-Minor Seventh Chord with a 7
                    2:48
                    Listening to a Major-Minor Seventh Chord
                    2:58
                    Minor-Minor Seventh Chord, Minor Triad + Minor Seventh
                    3:34
                    Listening to a Minor-Minor Seventh Chord
                    3:55
                    Notating a Minor-Minor Seventh Chord
                    4:57
                    Half Diminished Seventh Chord, Diminished Triad + Minor Seventh
                    5:06
                    Writing a Half Diminished Seventh Chord
                    5:24
                    Listening to a Half Diminished Seventh Chord
                    5:40
                    Fully Diminished Seventh Chord, Diminished Triad + Diminished Seventh
                    7:18
                    Writing a Fully Diminished Seventh Chord
                    7:34
                    Listening to a Fully Diminished Seventh Chord
                    8:02
                    Notating a Fully Diminished Seventh Chord
                    8:44
                    Example 1: Major-Major Seventh
                    9:46
                    Example 2: Major-Minor Seventh
                    10:50
                    Example 3: Minor-Minor Seventh
                    11:54
                    Example 4: Half-Diminished Seventh
                    13:07
                    Example 5: Fully Diminished Seventh
                    14:42
                    Chord Inversions

                    22m 51s

                    Intro
                    0:00
                    Lesson Objectives
                    0:07
                    Root Position Triad (5)/(3)
                    0:15
                    Root Position G Major
                    0:33
                    What the 5 and 3 Represent
                    1:00
                    Figured Bass
                    1:14
                    Listening to the I Chord
                    1:55
                    No Need to Write 5/3
                    2:15
                    First Inversion Triad 6/(3)
                    2:22
                    Why We Write the 6 but Omit the 3
                    2:39
                    What First Inversion Means
                    3:17
                    Listening to the I6 Chord
                    3:25
                    Second Inversion Triad 6/4
                    4:21
                    Fifth Note Becomes the Root
                    4:29
                    What the 6 and the 4 Represent
                    4:42
                    Listening to the I6/4 Chord
                    5:30
                    Root Position Seventh Chord 7
                    6:47
                    I7 Represents a Seventh Chord
                    6:55
                    Listening to the I7 Chord
                    7:31
                    First Inversion Seventh Chord 6/5/(3)
                    7:45
                    Moving the Tonic to the Top to Create a First Inversion Seventh Chord
                    8:03
                    Explanation of Notation 6/5
                    8:18
                    Listening to the I6/5 Chord
                    9:55
                    Second Inversion Seventh Chord (6)/4/3
                    11:14
                    Moving the Tonic and Submediant to the Top to Create the Second Inversion Seventh Chord
                    11:25
                    Explanation of Notation 4/3
                    11:52
                    Listening to the I4/3 Chord
                    13:27
                    Third Inversion Seventh Chord (6)/4/2
                    14:08
                    Moving the Tonic, Submediant, and Dominant to the Top to Create a Third Inversion Seventh Chord
                    14:20
                    Listening to the I4/2 Chord
                    15:05
                    Example 1: A Major Root Position
                    15:47
                    Example 2: A Major First Inversion
                    16:03
                    Example 3: A Major Second Inversion
                    16:25
                    Example 4: V7
                    17:48
                    Example 5: V6/5
                    18:27
                    Example 6: V6/4/3
                    18:59
                    Example 7: V6/4/2
                    19:38
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